Enjoy!
How
did you find writing a YA novel, compared to writing articles and such?
Novel writing and nonfiction writing are so
different for me that it’s almost like talking about what it’s like to visit
two different planets, or maybe like speaking two different languages. Whether
it’s reviews or articles or blogging, nonfiction comes to me much faster and it
also tends to go through much less rigorous revision. Writing a novel is like
chasing a whirlwind with a butterfly net. And, if you’re lucky, after a great
deal of work managing to catch that whirlwind, which is actually a story, and
then showing it to other people and hoping they say, “Oh, that’s a story,” and not, “What is that? It just looks like a big mess of
stuff blowing around.”
Where
did you get the inspiration for Blackwood?
History and the interstate. I’d always been
fascinated by the story of the Lost Colony, an intriguing bit of history that
gets mentioned enticingly in elementary school history classes in the U.S. and
then pretty much dropped. But how can anyone resist a mystery like that,
slipped casually among dry facts and dates? So it was always there in the back
of my mind. The story came rushing back to the surface when my husband and I
were on a road trip and passed an interstate sign for Roanoke (Virginia, not
Roanoke Island, but no matter). After that, I knew I wanted to do a modern Lost
Colony story set on the island, and so I picked up some research material. The
more I found out about the history, the more intriguing the mystery became, and
that all evolved into Blackwood.
Do
you have any new projects that you're working on at the moment?
I
do! I’m actually just about to turn in a draft (in fact, with any luck, I might
have already done so by the time this is running) of a new book that will be
out from Strange Chemistry next year. We’ll be releasing some more information
it very soon, but for now I can tell you it’s not related to Blackwood and is a
near future urban fantasy set in Washington, D.C.
What has been your toughest criticism as a
writer?
This is hard for me to answer because I’m
my own worst critic. I’m always trying my best to improve at any number of
things in my writing. And I feel so early on…
I do think you have to get to the point where you don’t hold onto individual
criticisms too tightly, but just figure out where they can make your work better,
apply what you can, and then let them go. So my toughest criticisms are the
ones that are most welcome—the ones I get from my writing friends and early
readers, from my agent and editor—because they’re the ones that help me get
better.
What
has been your biggest compliment?
The
biggest compliment has definitely been when I’ve seen early reader reactions to
Blackwood from people who read the book I wanted to write. Who really connected
with the characters and the oddities and strangeness. I really do believe a
book is a collaboration that exists between the author and every individual
reader. So when that collaboration is
worth it for the reader, that’s a huge compliment. It’s a kind of magic.
Which one author would you say has inspired
you the most?
Oh,
so hard! I honestly don’t think I can pick just one. I’ve always been such a
reader that I never had just one favorite author, but a whole list of
favorites. I’d kick myself for leaving off somebody if I started naming people.
What
was your favourite childhood book?
My earliest favorite was probably The Tale
of Peter Rabbit by Beatrix Potter. I wore it out. And my grandmother was always
threatening me and my cousins with castor oil if we didn’t behave, which seemed
both terrible and exotic because we’d never encountered it anywhere but in the
story.
What
book are you reading at the moment?
I just finished Courtney Summers’ This Is
Not a Test, which is a fabulously scary zombie book.
If you could invite five fictional
characters to your dinner party, who would they be and why?
Today,
I’m going to say:
-
Bitterblue (from Kristin
Cashore’s Bitterblue), because she’s funny, and sharp, and deserves an evening
off from running such a troubled kingdom;
-
Cassandra Mortmain (from I
Capture the Castle), because I just know she’d end up making a great scene;
-
Lemony Snicket (from A Series
of Unfortunate Events), because who doesn’t want to have dinner with Daniel
Handler?;
-
Temeraire (from Naomi Novik’s
series of the same name), because who doesn’t want to have dinner with a
dragon?; and
-
Claire DeWitt (from Sara Gran’s
Claire DeWitt and the City of the Dead), because it seems certain this would up
the chance for a surreal occurrence and possibly a mystery we could all solve
together.
What
are your plans for the next five years?
I hope to spend it writing more books. Beyond
that, I really can’t say, but I hope there are lots of (good) surprises in
store too.
Is
there any advice you were given, or would love to have been given, when you
first started writing?
Tim Wynne-Jones, an amazing Canadian
writer, told me: The most important thing every writer learns is her process.
This has proven to be very true. You just have to trust your process, and keep
working.
Is there anything you would like to say to
your fans and readers?
The idea of having fans and readers completely
humbles me. I would say: thank you. I realise there are a lot of ways you can
spend your time, and that you chose to spend it with my work makes me happier
than I can say.
See you next post,
Kaylie :0)
The butterfly net metaphor was win. ;)
ReplyDeleteWhat a great interview! interesting questions and answers that make me want all of Gwenda's books.
ReplyDeleteThanks, guys, and thanks again, Kaylie for the interview. :-)
ReplyDelete